If you have children in your life at all, then you’ll have a sense of the breakneck speed that they grow up at.
Take Little Pumpkin, for example.
A month ago she had just turned one, still very much our little baby. All of a sudden she is cruising around her world with frankly terrifying, and dangerous, levels of confidence.
She puts phones to her ear and chatters “hiya”, blows kisses at cars driving past our house, waves goodnight as we carry her up the stairs to bed.
If there’s a good tune on the radio, the odds are that she will be wiggling away to it or clapping her hands.
I turn around and she’s crawled to a misplaced remote control and is sitting there pressing buttons while expectantly looking at the television.
She just “gets” her world so much more. I can barely catch my breath.
And this pace of growth isn’t limited to the Pumpkin. The Monkey marches on with a year at a school having left him virtually unrecognisable from our little boy a summer ago.
If he isn’t reading away (a mixture of surprise and pride on his face as he decodes a juice carton) then he’s telling me about the life cycle of a frog (did you know that a young frog is called a “froglet”?) or working out the largest number that he can possibly imagine (currently a trillion and twenty three).
And his drawings contain a noticeable increase in skeletons.
But before all of this his world was much more limited to his family, his home and his back garden. Which probably explains the previous lack of skeletons.
And so I thought I’d share with you how I’ve recorded some of these pre-school drawings.
(The skeletons are a little more challenging to display).
I don’t know about you, but I’ve found that the amount of art produced can at times be overwhelming. Its so easy for these precious creations to fall behind the bookcase and lie there forgotten, gathering dust.
But these works of art can so often be a unique snapshot of a window into their minds,
the world as they see it.
And so a while ago I decided to record some of the Monkey’s drawings through very simple embroidery. In this case, on a cushion for the Monkey’s aunt.
So here they are, a caterpillar, ladybird, urchin, and, my favourite, the snail.
The stitches aren’t fancy, just a mix of backstitch, whipped backstitch and chain stitch.
But I don’t think the stitches should be fancy – it’s all about the drawings rather than the sewing.
I’ll be back in a few days with part two of this post and a very special bit of sewing, probably my most important piece of sewing yet.